Marvel Comics, the MCU, and Raising the Bar of what Fans Expect

marlowe-tops:

I think it’s significant that Marvel raised the bar. When Iron Man came out in 2008, it significantly changed our cultural standards for superhero movies. And then Marvel kept doing it. Each movie that came out in the MCU seemed better than the last. The female characters were far more than just love interests. The movies weren’t just about superpowered battles and cackling supervillains. Marvel’s movies talked about significant real world issues. They were about questions of military privatization, or cultural appropriation, or government surveillance. We learned to trust Marvel and to look forward to each new movie where the female characters were scientists and CEOs who had better things to do than to worry about their own romantic subplots.

In 2012, Kelly Sue DeConnick blew everyone away with her run of Carol Danvers, and some really amazing things happened. Marvel got a huge new contingent of new fans, mostly female, calling themselves the Carol Corps. And there was a lot of talk about what a huge deal this was, for anything to bring in new comic fans in this quantity. There started to be an outpouring of people talking about how they’d always wanted to get into comics but they felt like they weren’t welcome. (This isn’t to in any way discredit the incredible female fans and creators who long predated Captain Marvel’s 2012 run—let me tell you of my infinite love for anything written by the incomparable Gail Simone.) Captain Marvel changed that, and Marvel paid attention.

In 2013, catering to their new huge demographic of female fans, Marvel Comics put out a couple of all-female teams: the X-Men and the Fearless Defenders, neither of which had ever traditionally been all-female teams. X-Men continues strong, with a multi-ethnic all-female team. Fearless Defenders got canceled after a year due to poor readership, but surprisingly that didn’t discourage Marvel from continuing to cater to its new female demographic.

In 2013 and 2014, Captain Marvel’s run continues, and we’ve got a new Ms. Marvel who is a Muslim-American teenage girl getting fantastic readership and reviews. Black Widow’s got a new run going strong, Elektra and Storm are headlining their own titles, the new writer of Winter Soldier says that ‘feminism’ will be one of the title’s main themes, and the announcement of a new female Thor has sent a whirlwind through the industry. I’ve probably forgotten a few things because Marvel Comics is currently putting out so much worth being excited about for its female fans.

Marvel has been consistently raising the bar since 2008, in both their movies and their comics. There is a vast, varied and passionate fan following that has exploded in the wake of the new direction that Marvel has gone within their industry, both in movies and in comics. Millions of people who may not have known who Iron Man was in 2008 are now dedicated fans of all things Marvel. I’m one of them.

Which is why the backlash against Marvel’s refusal to put out a female-led superhero movie is just so angry and passionate. We got used to Marvel raising the bar. We learned to trust Marvel, and in many ways that peaked in April 2014 when Captain America: The Winter Soldier came out, with a female co-star who was not a romantic interest, for a movie that totally blew away the numbers at the box office, coinciding with many of the exciting things mentioned above going on in Marvel Comics.

Marvel raised the bar and people responded. Their fanbase expanded exponentially, their profits rocketed. But we’ve reached a point where the obvious next step to raise the bar again is to produce a female-led superhero movie that’s on par with the rest of the MCU canon, and Marvel—namely president Kevin Feige—is refusing. It isn’t that Feige’s stance has changed in any way in order to bring on this increasingly massive outpouring of frustration and demand for a female-led superhero movie. It’s that we’ve learned to expect that Marvel will raise the bar.

Guardians of the Galaxy didn’t do that. It was a fun movie, which had a lot of great things about it, but it didn’t raise any bars. And I don’t think anyone is expecting Ant-Man to raise any bars. The heads of Marvel have assumed that, at least when it comes to the MCU, its fan following is due to Marvel’s ability to put out great superhero movies. But the truth is that the MCU’s massive success and popularity is largely attributed to its ability to raise the bar of what people expect from superhero movies. And if you become known for raising the bar, that’s not a topic where you can rest on your laurels.

Female-led action movies like Hunger Games (or starring Scarlett Johansson in particular, like Lucy) make bank. Women purchase 52% of movie tickets and 46% of comics. There’s a market. There’s a demand. There’s a massive and vocal audience telling you exactly what they want you to produce.

C’mon, Marvel. Renew our faith in you. Raise the bar.







mythology meme:  [3/8] myths, legends, and stories

↳ the kidnapping of iðunn

This particular story is from the Prose Edda; more specifically, it’s found in the book Skáldskaparmál (‘language of poetry’), which is presented in the form of a dialogue between Ægir, a sea giant, and Bragi, the god of poetry.

One day, Loki the trickster is trying to chase a large eagle away with a pole, but after whacking it, he gets stuck to the bird and is carried higher and higher into the sky. Loki begs the eagle, who is actually the ice giant Þjazi in disguise, to release him. Þjazi does so, on the condition that Loki will lure Iðunn, the goddess of youth, out of the gates of Asgard so that Þjazi can kidnap her. Loki agrees and later fulfils his promise by telling Iðunn that there are interesting apples in a certain forest, and that she should want to bring her own with to compare. Intrigued, Iðunn goes with him, and eagle-shaped Þjazi snatches the goddess between his claws and flies away.

The Æsir start to wither and grow old without Iðunn’s youth apples and they figure Loki has something to do with her disappearance. The Æsir tell him he has to bring her back, or there’ll be dire consequences. Loki gets Freyja to lend him her ‘falcon shape’, and off he goes. He finds Iðunn and turns her into a nut to carry her back home. However, Þjazi notices his prisoner has gone missing, and chases the disguised Loki. The Æsir notice the two birds coming from afar and they build a large fire by the walls of Asgard; the falcon manages to evade the fire, but the eagle is unable to stop and flies straight into the flames. 



Rob is a GOT fanboy



facina-oris:

myth tales: the slaying of orion


i-wish-i-was-the-moon:

The evolution of a six-pack.


waggington:

without internet i’m nothing



gradientlair:

christel-thoughts:

When you see me show me your bachelors, show me your masters. That’s the best thing you can do for me, as my fan.

YAAAAASS NICKI. YAAAAAAAAAAAAAAAAAAASSSSSSSS

i haven’t found the source video yet.

I love the way Nicki encourages people with education. I’ve seen her ask about report cards on Twitter and tell young people to bring their C’s up to B’s and B’s up to A’s. And this quote is too awesome. ❤



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